case: (Default)
Case ([personal profile] case) wrote in [community profile] fandomsecrets2017-05-12 06:38 pm

[ SECRET POST #3782 ]


⌈ Secret Post #3782 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.



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02.
[Lord of the Rings, Glorfindel]


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03.


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04.
(Questionable Content)


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05.
[The Simpsons]


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06. [SPOILERS for Erma]



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07. [SPOILERS for Guardians of the Galaxy 2]



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08. [WARNING for talk of suicide]



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09. [WARNING for rape]




















Notes:

Secrets Left to Post: 00 pages, 00 secrets from Secret Submission Post #541.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

(Anonymous) 2017-05-13 02:16 am (UTC)(link)
I... do and don't agree. Glorfindel is a favourite of mine, and I would LOVE to see him in any adaptation (musical with it's brunette, female Glorfindel doesn't count). But I understand why he's been cut and replaced so much - he's introduced as a big deal that quickly becomes unimportant to the story.

And Flight to the Ford is my favourite Arwen scene, namely because it's the one scene where she's not acting as the designated love interest, and it makes me curious about what a warrior!Arwen would be like (...not at Helm's Deep, though, that was a horrible shitshow of "hey we got two women in the same location let's pit them against each other AND have them competing for Aragorn AND THEN ARWEN CAN KILL THE WITCHKING"). But it doesn't really make sense for them to introduce her as badass, capable woman and then... make her spend a movie crying over Aragorn and a film dying because Aragorn needs to be motivated to help save the world from Sauron, apparently.