case: (Default)
Case ([personal profile] case) wrote in [community profile] fandomsecrets2017-07-13 06:40 pm

[ SECRET POST #3844 ]


⌈ Secret Post #3844 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 01 pages, 22 secrets from Secret Submission Post #550.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
ketita: (Default)

[personal profile] ketita 2017-07-14 12:12 am (UTC)(link)
I agree with anon above me. As a standalone episode writer, I really liked Moffat. But when he's in charge of shows, he somehow manages to make me just... not care about the characters (I also disliked his work in Sherlock). And I think his long-term plots are a huge mess that don't end up really making much sense at the end.

While I have my criticisms of RTD, he managed to keep me interested in Who throughout his seasons. With Moffat, I drifted away after a season and a bit. So clearly, Moffat doesn't work for me.

(Anonymous) 2017-07-14 01:44 am (UTC)(link)
Moffat is definitely a good standalone writer but he's a mess whenever he needs to write consistent characterization or stay within the lines of his canon (those god damn angels) or have an overarching plot that pays off and isn't full of holes.

I think Moffat is also better when he has some constraints, I think RTD actually helped him improve his writing.

RTD definitely has some weak episodes under his belt as well, but I think the one thing I can say for sure is he was a better showrunner.

(Anonymous) 2017-07-14 01:41 pm (UTC)(link)
Moffat is fantastic when he has constraints. Press Gang will always be his greatest work.