[ SECRET POST #2714 ]

[case]

⌈ Secret Post #2714 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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13. [repeat]












Notes:

Secrets Left to Post: 03 pages, 071 secrets from Secret Submission Post #388.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

The pilot. Which wasn't a good episode, but also has absolutely nothing to do with any of the plot or characterization choices people keep trying to lay at his feet.

[rubbertea]

they keep trying to lay it at his feet because it's got his name attached to it, the name that got people interested in the show in the first place. i suppose they think he ~betrayed~ them, in a way, because they thought anything whedon was bound to be awesome. they were wrong, and they hate to admit it.

[(Anonymous)]

So what's your excuse for whining that it's all his fault, then?

[rubbertea]

i'm bitter that, with all the hype that was built for this show (mostly based on whedon's fame), it's been disappointing pretty much from the start. it's not a good reason, but i don't really care.

[(Anonymous)]

I feel like AoS was always going to be disappointing. It draws most of its fanbase from the movies, which are big, splashy, high-budget things with larger teams, crisper editing, and a lot more time to finish and refine and polish. The show was never going to live up to that, and the cast was never going to live up to the talent the movies pulled, but a lot of the fan-built hype assumed it would. It could've been much better written, but even if it was, it'd be a let-down because it's made with TV time constraints, a TV budget, and the need to fit into a greater world rather than really experiment properly with the genre.