case: (Default)
Case ([personal profile] case) wrote in [community profile] fandomsecrets2014-07-03 06:55 pm

[ SECRET POST #2739 ]


⌈ Secret Post #2739 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 01 pages, 021 secrets from Secret Submission Post #391.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
ariakas: (Default)

[personal profile] ariakas 2014-07-04 05:29 pm (UTC)(link)
...That isn't even the message, though, so it would be impossible to be "bashed over the head" with it o_O

It really does sound more like the OP found it too dark and violent and refused to read anything else into it because it upset them. McCarthy uses violence as a tool to underline our glorification of what should be abhorrent. We look at other post-apocalyptic survivors as action heroes, mowing down zombies with katanas and fighting true evil, placing ourselves in their shoes. In The Road, McCarthy shows us that no, more likely than not we'd be the man, struggling to survive and swiftly killed if we challenged roving bands of people willing to do violence by ourselves. He gives us true desperation and deprivation in place of an empty, rote empowerment fantasy.

He... pretty much always uses violence this way, actually. Blood Meridian is described as horrific and shocking, but all it really is is a cowboy fantasy written realistically. He makes what should be abhorrent truly abhorrent. And yes, it's painful to read. But he demonizes the violence-doers, always, every time. Not "humanity" as a whole.