[ SECRET POST #2868 ]

[case]

⌈ Secret Post #2868 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 03 pages, 075 secrets from Secret Submission Post #410.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

I know it's not a popular opinion, but I think it's shitty for fanartists to take commissions for fanart, too. Especially if it's ultimately mass/majorly produced like prints or slapping the fanart on bags, bookmarks, etc.

[(Anonymous)]

Agreed, but I gotta appreciate that fanartists managed where fanfic writers never could.

[(Anonymous)]

Its because the art model of economics comes from different routes than literary does. The way literary economics works is that it is mostly evolved from stage plays and playrights (and their, often Royal, backers) were redhot on who gets compensated for coming up with a story. Within the art world (meaning paintings/drawings etc.), it was seen as contributing to the pool of common culture from which others were as free to draw. The case law for the two, and the cultural consensus, has travelled along different paths. For things like comics and mangas, this created some problems.

[(Anonymous)]

Not too much into the comic scene, would you mind elaborating some on those issues?

[(Anonymous)]

Well it being a partly visual partly literary just means that it has a fanbase which has massively opposing views on whether it is acceptable to do things like fancomics and the japanese name for fancomics.