[ SECRET POST #2880 ]

[case]

⌈ Secret Post #2880 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


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02. [repeat]


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03.


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04.
[Sleepy Hollow]


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05.
[/r/nosleep, nosleep podcast]


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06.
[Awful Hospital]


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07.


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08.


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09. [ SPOILERS for Lewis/Inspector Lewis ]




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10. [ SPOILERS for Empowered ]



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11. [ WARNING for abuse ]

[Megatokyo]


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12. [ WARNING for child abuse/sexual abuse ]

[Adventure Time, Lena Dunham]


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13. [ WARNING for rape? probably? ]




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14. [ WARNING for incest ]

[Gotham]


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15. [ WARNING for abuse ]















Notes:

Secrets Left to Post: 00 pages, 000 secrets from Secret Submission Post #411.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 1 - not!fandom ], [ 1 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[dethtoll]

That's how I feel about jazz, and I like that depending on what I listen to it could take me back to 1925 or 1975 and anywhere in between.

In part this is why I was never the biggest fan of fantasy (hence why I don't really know what to look for and am asking for recs in GC) -- go far enough back in history and I have trouble really connecting to it, it doesn't really mean anything to me. The 1890s is probably my hard limit for how far back I can go -- in fiction, music, whatever -- and still enjoy myself.

And I get really angry at fantasy settings that try to use real-world historical problems like the frequency of rape and subjugation of women to justify putting that shit in their fantasy settings. You have a fucking fantasy setting with orcs and elves and fucking wizards and, fuck I dunno, talking goddamn slimes, but you insist on applying the real-world historical status of women just to justify the creepy rape scene you wrote?