case: (Default)
Case ([personal profile] case) wrote in [community profile] fandomsecrets2015-01-06 06:39 pm

[ SECRET POST #2925 ]


⌈ Secret Post #2925 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


__________________________________________________



02.


__________________________________________________



03.


__________________________________________________



04.


__________________________________________________



05.


__________________________________________________



06.


__________________________________________________



07.


__________________________________________________



08.


__________________________________________________



09.











Notes:

Secrets Left to Post: 02 pages, 046 secrets from Secret Submission Post #418.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
ginainthekingsroad: Oscar & Lucinda at the porthole- "I have gambled for pleasure..." (Oscar & Lucinda- porthole)

Re: Good Adaptions

[personal profile] ginainthekingsroad 2015-01-07 12:23 am (UTC)(link)
Oscar and Lucinda is one of the best adaptations I've ever encountered. I did see the movie before reading the book, but every time I compare them now, I'm impressed.

They did change some things, but for the most part it's in the interests of making it a more engaging movie experience-- one dropped subplot (and tbh, they picked exactly the right one to jettison for time/pacing), a couple composite characters, etc. As a book reader, you do get significantly more backstory for a few supporting characters, but it really makes a difference in the case of one of them (Miriam Chadwick).

And then there's the issue of the ending, which is slightly different. The book ending makes more sense with regards to the Victorian setting, but I love the movie ending for being more emotionally satisfying and can rationalize it in the Victorian context because Lucinda is a firebrand and doesn't care about social convention. It's really only Miriam's place in it all that gets a little fuzzy (and then, by extension, the narrator's).