[ SECRET POST #3093 ]

[case]

⌈ Secret Post #3093 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


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02.
[The Hitchhiker's Guide to The Galaxy]


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03.


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04.


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05.
[Brendon Urie/Panic at the Disco]


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06.
[Steven Universe]


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07.
[Bones]


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08.
[Ghostbusters, Bill Murray]


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09.
[Game of Thrones]













Notes:

Secrets Left to Post: 02 pages, 032 secrets from Secret Submission Post #442.
Secrets Not Posted: [ 1 - broken links ], [ 1 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

"Crap" is subjective, though. If people are buying it, their product is a success.

[(Anonymous)]

Something being a success doesn't make it not crap, though. And crap isn't always subjective. If storylines make no sense, if characters randomly disappear because the writers can't be arsed to think of something to happen to them, if characters suddenly do things that make no sense for their previous characterisation or for the circumstances they're in ... then that's crap. Even if it's crap that a lot of people buy.

[(Anonymous)]

I'll grant you behaving out of character (to a degree), but characters "disappearing" usually has far less to do with writers "not being arsed to figure out what to do with them" and far more to do with the time constraints of television and having other, perhaps more important, stories to tell, too.

As for stories making sense...sure, that could be on the writer. It could also be on the viewer.

[(Anonymous)]

I can agree with this comment, particularly in regards to storyline issues, etc. I think I'm just getting hung up on a semantic issue with the word "crap" vs something like "quality". So while we may agree it is a lower-quality product, it's still selling/getting good ratings. Ratings aren't necessarily a quality indicator, but it's often the main thing networks care about.

Anyway, I think we agree more than disagree.