[ SECRET POST #3267 ]

[case]

⌈ Secret Post #3267 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 02 pages, 050 secrets from Secret Submission Post #467.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ], [ 1 - random advertisement for porcelain doves ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

I learned how to draw the way I do today by tracing for practice. I got the most out of drawing books by scanning in the pages and using digital tracing to practice. I had someone tell me it was cheating, but I was using an art instruction book to learn how to draw in the style they were instructing.

But yeah. I practiced tracing for hours,because learning to draw was a hands on thing for me.

Now? I can look at something and draw a pretty good imitation of it. Just because people use tracing dishonestly doesn't mean that all tracing is dishonest and wrong.

[(Anonymous)]

Plus, besides practice for drawing, tracing is its own skill set that needs to be developed too. You have to learn how to reproduce lineweight, how to ink your drawings, how to trace fluidly and without a shaky hand--all things that contribute to being an artist:

[(Anonymous)]

This is also true! It's something I didn't even properly focus on until recently, when I realized there was something lacking in my art. Now I'm trying to replicate the way different artists use thinner lines within the folds of fabric and hair, for example... and then thicker lines for emphasis on outlines, etc.