[ SECRET POST #3433 ]

[case]

⌈ Secret Post #3433 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 03 pages, 57 secrets from Secret Submission Post #491.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

Re: OP

[herpymcderp]

I disagree. There's a huge difference between writing a person and writing a set character. Sure, there's some truth to your traditional view of storytelling: archetypes exist and you often get characters based on a broad definition, but that's the thing: archetypes are BROAD. They are umbrella terms. No one in the world is just "a wise woman" or "the knight". Actual people are harder to classify, and that's where you get into relying on stereotypes about culture and behaviour versus defining an individual based on a carefully researched backstory.

In both BB and BCS, the characters are written as people rather than as archetypes to sterotypes. ...Now, granted, it is a lot more work to write a non-stereotypical character. You do have to come up with a unique backstory and have a good grasp of their psychology. Often times you just can't do that in sitcoms where many, many different independent writers will write single episodes.

That doesn't mean that the traditional view of storytelling is the only one there is, though. It's definitely more pronounced in television (though again, I argue that BB and BCS are examples of non-traditional storytelling)... but especially not if you consider that for hundreds of years people have been experimenting with what actually constitutes a full story, what is a short story, and how to communicate an event or series of events in a way that is meaningful/complete. Some stories exist where there are no characters at all (or at least not in as much as there are names for the characters so much as a race of people or a location or a non-sentient entity). Some stories even do away with the concept of beginning, middle, and end.

You can do a lot with a narrative, it's just easier and lazier and faster to produce when you rely on a formula. Just because most television does that doesn't mean all of it does though.

Re: OP

[(Anonymous)]

See, I don't see the characters that way. Honestly I find them a lot more nuanced than characters on some older sitcoms (I cited Cheers elsewhere in the comments--just about everyone on there is two-dimensional, though I still find it a cute and enjoyable show. It's considered the best sitcom ever).