[ SECRET POST #503 ]

[case]

⌈ Secret Post #503 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 04 pages, 83 secrets from Secret Submission Post #072.
Secrets Not Posted: [ 0 - broken links ], [ 1 2 3 4 5 - not!secrets ], [ 0 - not!fandom ], [ 1 2 - too big ], [ 1 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[ariseishirou.livejournal.com]

10. It depends. When speaking about authors who are long past the point in their lives where they want to write Sues or other self-inserts, OCs can be fascinating. For a series with a large cast, too, one questions the need for OCs, but in others (for example, my own fandom, in which the main characters are detectives) it makes no sense not to have OCs. Once the cases that appear in the story proper are finished, there's little call for the main cast to revisit those characters. OCs are necessary to bring in new cases.

I'm also writing a backstory for a character in the same game about whom almost nothing is known, except for where he came from. At first I tried to limit the number of OCs (at least the ones that couldn't be justified through the story's canon, like his mentor), but then I realized how unrealistic it was. He lived in a city of millions, that none of the rest of the cast ever visited, and it would have taken any number of people to train him. To have him grow up in a vaccuum purely for the sake of avoiding OCs is just plain assinine.

So, yeah, there are now tons of them.