[ SECRET POST #3824 ]

[case]

⌈ Secret Post #3824 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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02.
[BoJack Horseman]


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06.
[Horizon Zero Dawn]


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09. [WARNING for possible discussion of harassment/sexual assault?]



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10. [WARNING for discussion of rape]

(Bill Cosby and Keshia Knight Pulliam)


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11. [WARNING for discussion of harassment/cyberbulling, abortion, child sexual abuse]















Notes:

Secrets Left to Post: 00 pages, 00 secrets from Secret Submission Post #547.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 1 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

I think the idea about the funhouse mirror is interesting, but I'm just don't think I agree. Ultimately, I don't think Moore is inverting the values of the superhero genre, so much as he's dismantling them, to the point that no character is a hero. I think Ozymandias and Rorschach are diametrically opposed in interesting ways, but that doesn't mean that one's the hero and one's the villain - rather, I think it means that they're both equally figures incapable of being heroes in the true superheroic sense. After all, in a sense, Ozymandias is also doing what heroes do - he's saving the day. In a ghastly and transformed sense, of course, but the same could be said of Rorschach.

I agree about his commitment being useless, but isn't that what heroes do? The do the right thing, as they see it, even if it won't achieve anything?

I don't agree with this, and I definitely don't think that Alan Moore agrees with it at all. I think he would point out - and arguably he does point out - that there's actually something kind of horrific about someone consistently sticking to a brutal and evil set of ethics. And there's something kind of horrific about Rorschach in exactly that sense - I mean, he's basically right next door to being a serial killer. So it's an interesting idea, but really not what the book is endorsing, I think.

And of course, Ozymandias follows the same logic in exactly the opposite direction - he tries to act for the greater good so much that he does this profoundly monstrous thing. So both extremes of the scale are, in a sense, equally condemned by Moore - which points to the idea that it's a negation, not an inversion, of the superhero genre.

ManWatchmen rules I need to reread it

[thewakokid]

Watchmen does rule. Hell, however I feel about moore (spoiler: I do not care for him as a person) the man has written some of the best graphic novel stories of all time.

So, if you consider both Ozzy and Rory to be duel villian on each end of the scale, would that mean that the hero is the character who is the least driven? Would that make Manhattan the hero? being the center point to the extremists? It fits, being the only one with super powers in a story that's twisting the SUPER hero genre.

[(Anonymous)]

I don't think anyone is the hero. I think there are no heroes in the world of Watchmen, and I think that's basically the point. They're all, in their own ways, completely incapable of being heroes - they can't play the role as it's conceived in the superhero drama. Doc Manhattan definitely can't - to be so beyond the human scale that you lose all relation to it, that's not heroism.

The one character I haven't really thought through is Laurie, and I don't remember exactly the tone of her ending off the top of my head, so I don't want to make any definitive statement there about that. But in general, I don't think any of the characters in Watchmen succeed in heroic terms.