Case (
case) wrote in
fandomsecrets2017-06-27 06:42 pm
[ SECRET POST #3828 ]
⌈ Secret Post #3828 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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Notes:
Secrets Left to Post: 02 pages, 31 secrets from Secret Submission Post #548.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

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(Anonymous) 2017-06-27 10:52 pm (UTC)(link)The other time it makes sense to me to talk about it is when you have a band that moves through a lot of different styles, so different albums get associated with different eras in the band's history. So like with Weezer, you could easily talk about Pinkerton as an album in part because the songs on the album are very different in style from the blue or green albums.
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(Anonymous) 2017-06-27 10:53 pm (UTC)(link)Maybe you don't get it because you've only heard good albums. When you've heard an album that sounds like 10 singles from 10 different albums, then you can tell the difference.
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(Anonymous) 2017-06-27 10:53 pm (UTC)(link)They're just not good as albums
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(Anonymous) 2017-06-27 10:53 pm (UTC)(link)no subject
(Anonymous) 2017-06-27 11:08 pm (UTC)(link)You are over thinking the album concept.
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(Anonymous) 2017-06-27 11:11 pm (UTC)(link)no subject
(Anonymous) 2017-06-27 11:37 pm (UTC)(link)concept albums in the 70s laid the groundwork for marketability of more than one song at a time. Radio still played singles, naturally, but putting all those singles together into one package that people can buy so they could get all the singles at once was such a good idea that it, in turn, inspired artists to just make the album all at once and then let radio pick the singles. Or, well, the labels to pick the singles they felt were most marketable. For the most part through the 80s and 90s, albums stood as packages of singles, but at the same time a snapshot of what the artist was writing and performing within a relatively brief time period. Genres were starting to fragment, as well, so an artist could experiment with new styles and still get their failed experiments purchased as part of a greater album that did real well with two or three more radio-friendly singles.
It intrigues me, though, that in the shift to downloading mp3s, the buying public basically did a 180 and went back to the 1950s models of songs being sold as singles so they could only buy their favorites/the ones they heard on the radio. And thus, albums fell somewhat out of favor.
But really, OP, set aside concepts of artistry for a moment and consider money and marketability, and also consider the 1970s-2000s as an era when technology (both its advances and limitations) and the dominance of radio and MTV for promotion (back when MTV still played music videos) meant that the package of 10-14 songs was a much better monetary investment for record labels than singles.
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(Anonymous) 2017-06-28 12:55 am (UTC)(link)no subject
(Anonymous) 2017-06-28 02:58 am (UTC)(link)Maybe you just need to think about it from another perspective
(Anonymous) 2017-06-28 03:26 am (UTC)(link)no subject
(Anonymous) 2017-06-28 03:43 am (UTC)(link)You might think of it like a scrapbook of one's life. You were doing certain things, looked a certain way, believed certain things, and that will affect the colors you choose, the layout, the photos included, etc. A few years later, with the next release, that scrapbook can look very different.
Basically, an artist or a band isn't a stagnant thing that never changes, and their works change with them.
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