[ SECRET POST #514 ]

[case]

⌈ Secret Post #514 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

101.


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102.


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112.


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113.


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114.


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115.


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116. [repeat]


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118.


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121.
[that's McKay from SGA, by the way; ass-recognition courtesy of failaga]


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128.


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145. [posted twice]


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Notes:

Secrets Left to Post: 13 pages, 305 secrets from Secret Submission Post #074.
Secrets Not Posted: [ 0 - broken links ], [ 1 2 3 4 - not!secrets ], [ 0 - not!fandom ], [ 1 2 3 4 5 - too big ], [ 1 2 - repeat ], [ 1 - posted twice ], [ 1 - random link, wtf? ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

Re: 128 OP

[(Anonymous)]

Yes, that's a fair assessment of the overall idea of the story, but it does have a message about gender roles in there as well. The director dislikes dealing with romance because he feels it's distracting from the story, but instead of bypassing it altogether, instead he throws m/m and f/f subtext in as the solution. Which doesn't make any sense to me, since you could easily do the same thing with m/f or have absolutely nothing at all, the latter of which seems to work the most for the challenging of gender roles and the empowerment of women, which is what the show is attempting on the surface. I felt the ending undermined that, not just for that pair, but for most of the supporting characters as well.