[ SECRET POST #3984 ]

[case]

⌈ Secret Post #3984 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 01 pages, 09 secrets from Secret Submission Post #570.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

In terms of how successful it was, I agree. Not for reasons to do with being critical of Taylor Swift, but just because the success of 1989 was so utterly massive. It was a phenomenon, and the chances of creating such a massive phenomenon twice are minicsule. Especially because I think that when you set that kind of a high water mark, the public becomes resistent to it happening again. Over-exposure and public burnout begin working against the person, and they actually have to hit a markedly bigger homerun in order to impress/interest/captivate people the way their previous homerun did.

In terms of how good 1989 was, I feel the same way except about Red. It is by far my favorite TS album. It's the album that got me into her in the first place, and it's the album that is most "my kind of music." (Pop generally isn't, so 1989 and Reputation both had an uphill battle to make me like them. I do generally like them both, but not the way I love Red.)

[lovedforaday]

Red's not pop? On what planet?

[(Anonymous)]

NAYRT

Red is pop to a significant degree but it's not 100% pop the way 1989 was. It still has a fair amount of country stylings and influences, and a musical palate that still draws on a lot of country instrumentation and stuff. It's a transition album. So I can see where OP is coming from. If you listen to songs like Begin Again and Red, those songs are definitely rooted in country song stylings to a greater extent than anything on 1989.

[(Anonymous)]

Yeah, this is exactly what I meant. Red is far less quintessentially pop than 1989 or Reputation. The popiest tracks on Red are, not surprisingly, the major singles. Begin Again and Red were also singles, but, also not surprisingly, they never became the huge hits that pop jams We Are Never Ever Getting Back Together, 22, and I Knew You Were Trouble became.

Besides those three major hits, I'd say pretty much all the tracks on Red are part country, part pop, and then also a little bit of strummy melodic folk and indie vibes in there too. Or...it's almost like the collision of pop and country in Red created something that felt similar to mildly folk, mildly indie tracks -without actually being folk or indie. I'm not sure quite how to describe it, but I know that 80% of the music I like is folk or indie or both folk and indie, and Red hits a similar spot for me when I listen to it - while still being more accessible and infectious and radio-friendly than most folk/indie.

I do also like the true pop hits off of Red, but not in the way I love All Too Well, Holy Ground, Sad Beautiful Tragic, I Almost Do, or Red. (Or State Of Grace, or Treacherous, or Come Back Be Here. Lol, I just love almost all of Red.)