[ SECRET POST #4276 ]

[case]

⌈ Secret Post #4276 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 01 pages, 19 secrets from Secret Submission Post #612.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[rosehiptea]

Urban horror can be done well. (I don't watch that much horror, but I would add the original Japanese version of Pulse.) I just think it sometimes has to rely on different tropes and plot points, because you've got to explain why they didn't knock on the neighbor's door or why no one heard them screaming. (These can be explained, especially when it's something supernatural, but still, I think it's easier to make a horror movie in an old abandoned house in the woods.) What kind of political shift are you talking about though? That sounds interesting.

[cbrachyrhynchos]

I think there are ways around the "screaming" issue. Cities can be notorious for "not my problem," for example.

I think a lot of urban horror is based on the premise that cities are scary places filled with groups who will harm you or seduce you into evil. A lot of post-modern vampire movies are urban for example. The 70s urban horror trend existed with the 70s urban vigilante: Dirty Harry and Death Wish for example.

Suburban horror focuses on the idea that the "safety" of the suburbs is an illusion, and people tend to cover-up their problems rather than deal with them honestly.

I suspect rural horror may have some connection to fear of the dark sides of rural culture.

[(Anonymous)]

I think there are ways around the "screaming" issue. Cities can be notorious for "not my problem," for example.

So true. That's why the police suggests you scream "Fire!" and not "Help!". The latter gets ignored all the time, the former panics people into attention.