Case (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
case) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
fandomsecrets2008-08-19 04:58 pm
case) wrote in fandomsecrets2008-08-19 04:58 pm
[ SECRET POST #592 ]
⌈ Secret Post #592 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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Notes:
Secrets Left to Post: 13 pages, 322 secrets from Secret Submission Post #085.
Secrets Not Posted: [ 0 - broken links ], [ 1 2 3 4 5 6 - not!secrets ], [ 1 2 3 - not!fandom ], [ 1 2 3 4 - too big ], [ 1 - repeat ], [ 1 - posted twice ], [ 1 - insanely tl;dr personal attack ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
Re: 170/72
The thing is, even then, I don't think those are his motives. Not really. That was just his motive at the time, for that crime in particular. "All it takes is one bad day."
That's actually one thing that I really, really didn't like about TDK. The Killing Joke had him torturing Gordon by showing his daughter naked and bleeding and all that other mind screw stuff (complete with jaunty tune that I would love to hear Mark Hamill sing one day). In TDK, he kills Harvey's girlfriend and burns his face.
The object in both was the same--to take an upright man and turn him into a monster.
But the point of The Killing Joke was he failed. Having him succeed in TDK just...makes the movie feel like it missed something. I don't know.
Also, TKJ actually has a Crowning Moment of Heartwarming between Bats and the Joker, which alone should prove that Alan Moore, for all his crazy craziness, is a genius.
Re: 170/72