[ SECRET POST #4323 ]

[case]

⌈ Secret Post #4323 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.



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02.
[Iron Fist, season two]


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03.
[Venom]


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04.
[Dragonsphere]


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05.
[The Captive Prince series by C.S. Pacat]


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06.
[Sarah Michelle Gellar]










Notes:

Secrets Left to Post: 02 pages, 31 secrets from Secret Submission Post #619.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

True up until a point. But a good writer is capable of directing a character in such a way that what they do IS in character rather than OOC. Even unexpected behavior can be in character, if you do proper job.

[(Anonymous)]

Definitely! But there's a difference between listening to a character's protestations (or your own instincts, whatever you call it) and figuring out how to better direct them to make your intended plot point more in-character VS. ignoring them entirely because you've decided they're going to do what you say and that's the end of it. The OP seems more geared towards the latter, which IMHO leans towards sacrificing characterization in favor of their pre-decided plot point/action/whatever.

[(Anonymous)]

IAWTC, so hard.

[(Anonymous)]

+1, well said!