[ SECRET POST #4444 ]

[case]

⌈ Secret Post #4444 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.



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02.
[Indiana Jones and the Temple of Doom]


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03.
[Mary Skelter]


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04.
[The Final Table, Charles and Rodrigo]


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05.
[Altered Carbon]


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06.
[Katie Perry/Orlando Bloom engagement]


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07.
[Fandom: Fruits Basket]










Notes:

Secrets Left to Post: 01 pages, 17 secrets from Secret Submission Post #636.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

AYRT Okay that's valid. I was leaning more towards the other type of queerbaiting and didn't think too much about other representation of queerness. (Also I'm not sure why I put myself in this position when I don't think Furuba was great to begin with but here I am.)

I don't know much about how Japanese people view gender and sexuality. After all, a bishounen type of character with some feminine characteristics is generally heterosexual while the gay men are usually more of the muscly type (that appear more 'manly' to other cultures).

That said, I do see where you're coming from. Even if I'm completely mistaken, I just want people to remember what we might view as queerbaiting isn't necessarily the intent of the creator, given they come from different cultural traditions.

That said, I still don't think Furuba is that great so.

[(Anonymous)]

The thing is, using homosexuality for humor, drama, and general set-dressing IS a tradition as far as shoujo tropes go, and Japan's cultural homophobia, while different from American homophobia, is a well-documented fact. The creator's intent was almost certainly in line with those contexts.