[ SECRET POST #4583 ]

[case]

⌈ Secret Post #4583 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 01 pages, 13 secrets from Secret Submission Post #655.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

Webber sort of tacked a really dumb and offensive frame story around a musical revue format that all of the cats are meeting to decide which one of them is worthy of the afterlife. Because apparently we just don't do blockbuster musical revue shows anymore in modern Broadway. Significantly, that turd of a frame story involves the only song not written by T. S. Eliot, an earwormy bit that's the show's crossover hit, so we'll probably get that frame story whether we like it or not.

It's one of the weaker examples of Broadway doing this, but Cats gets a lot of shit for doing the same format as Mamma Mia!, Holiday Inn, and An American in Paris, which are mostly about Abba, Irving Berin, and George Gerwshwin rather than their characters.