[ SECRET POST #4941 ]

[case]

⌈ Secret Post #4941 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.


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Notes:

Secrets Left to Post: 01 pages, 09 secrets from Secret Submission Post #707.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

I can understand this secret but also feel like scratching my head over people who insist his voice being on par with other actors. I never noticed his voice was "unconventional" until LMM himself pointed it out as well as pointing out that he is not a singer in general. To me, his delivery outshines the polish that people seem to expect his voice to have. He's a rapper and a writer. His voice has never dismayed or even surprised me one bit. It's just not something that matters to me whatsoever.

+1

[(Anonymous)]

There's also a huge discrepancy people don't realize that film and theatre have. They're two different medias entirely, and honestly, I feel Lin's voice has aged towards the old age of musical talent opposed to what people expect for the 'new'. I mean he sounds truly amazing in the Sondheim musical 'Merrily We Roll Along', the Encore broadway cast. He (along with the rest of what the Encore, both cast and direction did for that musical) blows the original right out of the water! His characterization especially.
His voice is nasally sure, but he is and will become any character given to him. I fell in love with him the second I heard him play Charlie and I haven't looked back since. No one else can play that role for me, and while Lin's done a lot since then, (like another anon said above) he plays his characters as they are. He doesn't need to be the hero, the villain. Much like his role in Hamilton, he plays a man living his own brusque style of justice be it he wins, or evidentially loses because of that.