[ SECRET POST #5116 ]

[case]

⌈ Secret Post #5116 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.


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Notes:

Secrets Left to Post: 01 pages, 10 secrets from Secret Submission Post #732.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

I think there are a lot of people who are in The Callout Fandom more than they're in a fandom for any particular piece of type of media. Callouts are a form of fanwork to them, and it's the type they're most into. So they'll go wherever they think the most fertile ground for callouts is.

When you point this out, they say "What's so bad about thinking critically??!??" Nothing. But most of these "critics" are not really thinking critically themselves, they're just mindlessly parroting what others have said. And making it your entire personality, and thinking it entitles you to butt in on cultures you don't understand (specifically westerners giving incredibly outdated and stereotyped "critiques" of East Asian media) and judge content you haven't even read/watched/played yourself, makes you kind of a tedious tool.

[(Anonymous)]

SA

I'm only interested in criticism from people who are actually well-read and knowledgeable in the genre they're talking about. From someone operating on a 15-year-old stereotype of what they think "yaoi" is, or someone who read half a bodice-ripper romance once in middle school (or worse, just heard a description of what they're like), nah, sit down.

[(Anonymous)]

+1

[(Anonymous)]

Callouts are the only source of clout for people who can't write or draw well.

[(Anonymous)]

Those who can't do, preach.