case: (Default)
Case ([personal profile] case) wrote in [community profile] fandomsecrets2023-07-17 07:20 pm

[ SECRET POST #6037 ]


⌈ Secret Post #6037 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.


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[Brother Complex]



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Notes:

Secrets Left to Post: 02 pages, 30 secrets from Secret Submission Post #863.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

(Anonymous) 2023-07-18 12:21 am (UTC)(link)
I haaaaaate this trend so much. And none of the books that are advertised as “for fans of X and Y” have ever matched up to the works of X and Y. I also hate the back of the book being a list of reviews instead of an actual summary or excerpt.
feotakahari: (Default)

[personal profile] feotakahari 2023-07-18 12:33 am (UTC)(link)
I’ve seen posts from writers about how their publishers insisted on “X meets Y” marketing even when they thought it was stupid.

(Anonymous) 2023-07-18 12:34 am (UTC)(link)
I get why authors feel like they have to do it, but yeah, hate it too. It's so reductive and unappealing to me.

(Anonymous) 2023-07-18 12:43 am (UTC)(link)
I lurked in a writing subreddit for a bit and saw that authors were literally forced to pitch their stories like that to publishers. And it was enough to remind me that I get much more personal satisfaction and direct feedback worrying fanfiction than I would trying to write something a publisher thinks will be the next Twilight or what have you.

(Anonymous) 2023-07-18 12:43 am (UTC)(link)
I would read the hell out of the book the second part of the secret describes!

But I also get the secret. What makes me cringe is romance novels that literally have the tropes ("grumpy boss" "second chance romance" "just one bed") in the title or subtitle. And I like romance novels.

(Anonymous) 2023-07-18 02:59 am (UTC)(link)
I agree completely, anon. I'd much rather get something more like a super-brief novel synopsis with the ending chopped off than these misleading pastiches of cliches.

And a lot of the time, the latter feels like it's setting the book up for failure instead of letting it be what it is: something (hopefully) different and distinct from what other, more established authors wrote.

(Anonymous) 2023-07-18 04:53 am (UTC)(link)
I understand it's a requirement now. But people insist on doing it even when they rec books. And podcasts. I've seen one indie author describe their own podcast checkbox style, I noped out immediately

(Anonymous) 2023-07-18 05:37 am (UTC)(link)
The only case I really know of a) happening is when books (manga too) are given as recs. The other two are real publishing industry problems, but I have never, ever read a book summary that was nothing but a checklist of identities. I read a lot of books in subgenres where the appeal could uncharitably be said to be "identity checklists," and see other readers recing them that way, but never the official summaries.

(Anonymous) 2023-07-18 11:09 am (UTC)(link)
I used to work in bookstores, and then publishing-adjacent. What you're descriving is a marketing cliche; it's also terribly effective. Especially in genre fiction, which is trying to convert sales from non-genre readers (which is why crossover hits are always referenced - Gone Girl for crime/thriller, Game of Thrones for fantasy - they're reference markers that work outside their own genre)