[ SECRET POST #1374 ]

[case]

⌈ Secret Post #1374 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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148. [SPOILERS for Persona 4]



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149. [SPOILERS for Psych]



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150. [TRIGGER WARNING for non-con/incest]



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151. [TRIGGER WARNING for non-con/dub-con]



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152. [TRIGGER WARNING for lolicon]



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153. [TRIGGER WARNING for self-harm]



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Notes:

Secrets Left to Post: 00 pages, 000 secrets from Secret Submission Post #196.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 1 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[childings.livejournal.com]

All fiction needs character development, that is, if the characters are a big part of the story and the author wants you to care about them. Yes, comics are a visual medium, but I don't like it when people assume that the visual aspect of comics is all that matters. It's usually why I buy comics, yes, but if that's all there is to the comic, it's not a good comic.

Panelling and layout is more pacing than writing. It sets the pace of a narrative in the same way that a director sets the pace of a film

OP

[(Anonymous)]

I agree that comics should be assessed on both their narrative and aesthetic merits. But I disagree that panelling and layout is just a matter of pacing. Panelling and layout are the essentials of what a comic artist works with; they are to the comic artists as words are to the novel writer.

C&P'ed from another reply: I think that visual storytelling is given really short shrift in discussions of comic writing. If, say, a webcomic had an amazing plot but the artist simply couldn't convey an action sequence in a coherent manner - because of panelling issues, not just art style - then I think that counts as poor comic writing. It's like having a novel with a great plot but awful prose.