case: (Default)
Case ([personal profile] case) wrote in [community profile] fandomsecrets2011-08-13 03:59 pm

[ SECRET POST #1684 ]

⌈ Secret Post #1684 ⌋


Warning: Some secrets are NOT worksafe and may contain SPOILERS.


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Notes:

Secrets Left to Post: 10 pages, 234 secrets from Secret Submission Post #241.
Secrets Not Posted: [ 1 2 - broken links ], [ 1 - not!secrets ], [ 0 - not!fandom ], [ 1 2 - too big/small ], [ 0 - repeats ], [ 1 2 - posted twice ]
Current Secret Submissions Post: here.
Suggestions, comments and concerns should go here.

[identity profile] starphotographs.livejournal.com 2011-08-14 05:38 am (UTC)(link)
I think I like fridged-anyone plotlines, too. I know they can be seen as sort of cliche and simplistic, but I think they can be done really well.

As an aside, I think part of why they can be interesting to me is because of one of the things I've seen people complaining about: that the dead person exists only as a motivator for another character, not as an autonomous entity in their own right. I know that can be a sign of lazy writing (as in, "they're not here so I guess developing them isn't important"), but I also kind of think that unintentionally touches on something really good. Because the thing is, that character isn't an entity in their own right, not anymore. They're dead. They only exist in the other character's mind, probably in simplified form. And seeing as even very strong memories and impressions can degrade over time, especially when they're being rehashed again and again, you may end up with only a very vague idea of who that person really was. Maybe the surviving character doesn't even have as clear a picture as they might once have had. So it's this person dedicating themselves to this faded, distorted image of someone who they're never going to get back. So I guess the problem isn't that the dead character is flat, it's just that no one ever seems to go in to why they logically would be flat. Which is kind of the most interesting part to me.

/not making any damn sense