Case (
case) wrote in
fandomsecrets2011-11-25 04:02 pm
[ SECRET POST #1788 ]
⌈ Secret Post #1788 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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30. [TRIGGER WARNING for pedophilia]

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Notes:
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Anyway, I present to you the prologue, where he does not look like a child in neither the stain glass windows nor the portrait: http://www.youtube.com/watch?v=__x8CYAVMbk (You could argue that he didn't rip the portrait until recently, but the rose is still closed in that scene.)
I just really have no idea where people are getting this stuff from. I guess it's just the little leftovers in the song lyrics from Howard Ashman (who actually did want the prince to be a child when cursed) and taking those too literally. But he really can't be any younger than a late teen in those flashbacks.
Sorry, if I'm a little long-winded on this point. This debate in particular is just a thing with me. It just seemed so obvious to me forever and I can't understand the other side at all.
So this also got long-winded
My problem with the argument in either direction is that all the clues you may used to time the sequences are mere narrative devices. The rose you mentioned hadn't opened yet, because they need to show it was magical. They say it's the same rose from the witch, but the rose in the stained glass has clearly already bloomed. The portrait needed to look as close to the prince at the end as possible (though somewhat changed), so that you are reinforced that they are the same person. The stained glass is a study of power proportions. At first he's taller than the old woman, but then there is the reverse. He's taller and bigger than everyone in the stained glass of him alone. I do think 21st year, means his birthday since that would be odd as a magical number for the actual length of a spell (also, they probably want him the sage "age" as Belle). I wouldn't count out the lyrics because they supposed to be exposition. You're supposed to take them seriously. But ultimately, I think the witch was kinda horrible either way.
Re: So this also got long-winded
Basically, the Beast is a pretty boy, so I guess anyone could debate back and forth on his age and maintain their opposite fronts.
What? So nothing in the prologue is meant to be taken at face value? Everything is just a narrative device? That would be very careless of the animators, when him being young would be a pretty important narrative detail. I can understand the stain glass because it's, you know...stain glass. Also, the old woman becomes taller than him because she changes into her form as an enchantress. It's an entirely different form. But seriously, I just don't understand how if the prince is meant to be a child, why it wouldn't be crystal clear because that obviously has narrative importance. I also think that anything shown in normal animation is fair game for literal interpretation because it matches the reality of the rest of the movie. Plus, they could easily show the rose was magic with just the burst of light without having it still be closed. Also in the scene, the Beast is totally huge. Was he that huge as a child? Maybe, but once again, it's assuming a lot just to make the math from one lyric fit.
Seriously, though. You're free to interpret it as you wish, but I just don't think that'sthe creators' intent at all. I wish I had a scanner for the story in my Tale As Old As Time book that explains all the discrepancies (Howard Ashman, the lyricist, did want the prince to be a child, hence he is responsible for the "ten years" line and the cause of all the problems. The other writers disagreed. I will not count this as actual argument because I cannot provide proof, but I just needed to explain it.)
I would say that he's a late teen and ages a bit to be 21. I originally forgot about the 21st year bit. So, maybe 17 to 21. But he's definitely not a child. No way. The Broadway show disagrees, the prologue disagrees. If I have to make all the math fit though, I'll go with my Timey Wimey theory. I'd even say Lumiere is just a drama queen before I could see anything in that prologue that indicates he's a child.
I obviously won't convince you, but I'm just sayin'
Re: So this also got long-winded
The Beast being young would be an incredibly irrelevant detail. The only way it would matter is if the enchantress was involved in the plot, since his age would directly reflect on his relationship with her. Otherwise though, the creators were hardly trying to pinpoint an age. He was young, and whatever young means to you. This is completely ignoring the fact that things that have narrative importance get completely overlooked. They're in some french-speaking land, so Prince most likely implies there is a King, at the very least. The stained glass shows that there were lands, knights, a town, peasants, none of which can be considered inside the castle or living there, and therefore weren't part of the spell. Where in heaven's name did these people go? Not to mention that there is a strong inference that the only other people affected were servants. The actual story does a better, but still vague, job of letting you know that the castle is enchanted just for people in need, because otherwise you would have to wonder how in 4 years (if he's 17 as you say), people completely forgot the kingdom existed. He doesn't even have a reputation. I mean, it's distant from Belle's town, but it's really just beyond some woods. Not to mention Gaston and the townsfolk seem to find it okay.
I would agree with you about being literal, if this weren't a fairy tale, and a great deal of the setting of fairy tales are their agelessness. The narrative purposes are much more important than any passage of time. I mean they could easily have just made the rose closed in the stained glass, but they didn't. He also has to have enough time to get depressed about it, and but you could make arguments either way there. I think he's a teenager and not 11, but as I said teenager is 13-19 to me.