Case (
case) wrote in
fandomsecrets2012-08-09 06:59 pm
[ SECRET POST #2046 ]
⌈ Secret Post #2046 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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Notes:
Secrets Left to Post: 01 pages, 021 secrets from Secret Submission Post #292.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ], [ 1 - spam secret ].
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no subject
no subject
But some stories/shows/whatever really are about the world.
Like... I like Frodo Baggins fine, but I also like Middle-earth, you know? Maybe I want to talk about the hobbits in Bree and how they were dealing with things, not about the Quest.
Is that not an acceptable story somehow, but me writing about Frodo would be?
(Personally I don't think I would do this for LOTR, just because the work I'd feel I had to do to get Middle-earth right enough to honor it is, uh, daunting. But if someone did it well, I think it would be good, not cheaty somehow because where's Merry or whatever.)
no subject
What I was thinking about is a story that could be dropped seamlessly into more than one fandom without doing anything more than changing a few place names. ~ Stories that don't use any of the ... defining characters / characteristics of a particular fandom.
(I'm not a good one to talk OCs, though. I'm pretty much with the OP on this one, and the bait and switch thing is obnoxious. When I do use OCs in my own works they're never the POV character, and are only there to add color, humor, or give small bits of information that move the plot along.)
no subject
This doesn't mean I think most OCs are good. I don't.
I just mean... with something as sprawling as that particular fandom, where you're even choosing between continuities before you even start typing, the idea that the setting, or the war, or the history, might be recognizable even if the character is Wingblade, Sixth Lieutenant of Guysbuiltyesterday, isn't as weird as borrowing the setting from one movie that was propelled by character development.
It's funny, because I don't like peripheral OCs most of the time. I'm not saying this is anything but my weird feeling, but often to me peripheral OCs make me feel jolted out of a story. I know who everyone is and then -- Lightblaze? Is that someone I don't know of? *looks up on Wiki* Oh wait, no...
Where if the story is about introducing me to Lightblaze and telling me what happened to him on Rintellus Four and I know that from the beginning, I'm not looking him up, I'm reading his story.
If that makes any sense.
no subject
no subject
I think I sort of understand you're saying. And your examples do make sense,
I suppose, not that I think about it, that most of the fandoms I've been in lately are (relatively) more character driven, at least for me. So the plots I do tend to "star" canon characters, with OCs in any spot that a canon character can't fill.
(Like - I did a fic a few years ago that had two frenemies marooned in a lifeboat. After snarking at each other for most of a chapter, they were finally rescued by a somewhat colorful captain [OC], who gave them soup and a good talking-to before sending them on to the next chapter.
no subject
To OP if they're still reading: strong opinions aren't necessarily bad, but overgeneralizations are. If 'this COULD be done badly AND OFTEN IS' were a legitimate prerequisite for making something disappear, all fandom would drop off the face of reality. Discussing fandom in terms of worst case scenarios can surely lead to some trainwreck-fascinatingly anecdotes, but not much more than that...
no subject
i suppose maybe because i'm in a situation with such a large ensemble cast and there's a lot of characterization that's really largely headcanon/fanon, but i think that skipping over a fic with an interesting summary just because there's an oc or cc/oc pairing is absolutely ridiculous. sure there are better and worse ways of including ocs in your story, but i think that each one should be judged on it's own merit. =T