Near on Sendoff is amazing. Amazing. Fantastic writer, very thoughtful characterization. And in a complete contrast to the character played, the player themselves is always a pleasure to talk with.
So is Light, who jumped into the game in the middle of an overcomplicated, disgustingly convoluted plotline and proceeded to give me a run for my money. Who plays the dynamic between our characters to the hilt, bringing to the game a creative mind that keeps the twists and turns coming.
Then there's Mello, who since the day I joined Sendoff has impressed me numerous times with their portrayal of the character. I confess to having an unhealthy fascination with the plentiful ways they've found to describe varying degrees of tension and aggression.
It being the first time I'd ever actually gone through with applying into a Death Note cast somewhere, I have to say I seriously lucked out.
Re: 17
I have to add in my two cents.
Near on Sendoff is amazing. Amazing. Fantastic writer, very thoughtful characterization. And in a complete contrast to the character played, the player themselves is always a pleasure to talk with.
So is Light, who jumped into the game in the middle of an overcomplicated, disgustingly convoluted plotline and proceeded to give me a run for my money. Who plays the dynamic between our characters to the hilt, bringing to the game a creative mind that keeps the twists and turns coming.
Then there's Mello, who since the day I joined Sendoff has impressed me numerous times with their portrayal of the character. I confess to having an unhealthy fascination with the plentiful ways they've found to describe varying degrees of tension and aggression.
It being the first time I'd ever actually gone through with applying into a Death Note cast somewhere, I have to say I seriously lucked out.