[ SECRET POST #2065 ]

[case]

⌈ Secret Post #2065 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


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02.
[Suits]


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03.
[Total Recall]


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04.
[My Little Pony: Friendship Is Magic]


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05.
[Legend of Korra]


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06.
[Legend of Dragoon]


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07.
[My Little Pony: Friendship Is Magic]


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08.
[Breath of Fire 4]


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09.
[Pretty Little Liars]


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10.
[SHINee]


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11.
[The Dark Knight Rises]


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12.
[Marvel]


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13.
[Stage Beauty]


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14.
[The Bourne Legacy]


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15.
[The Hunger Games]


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16.
[Tinker Tailor Soldier Spy]


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17.
[The Tribe]


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18.
[Sherlock]


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Notes:

Secrets Left to Post: 00 pages, 055 secrets from Secret Submission Post #295.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ], [ 1 2 - posted twice ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[ginainthekingsroad]

This film makes me angry because it uses modern stagecraft and verse-speaking ideas that didn't exist before David Garrick (the 1740s-1770s) at the very very earliest. In a film set in the 1660s. *facepalm* I get that they wanted to make a big contrast once they switch roles, and that the presentational acting style of the pre-Restoration era isn't really all that enjoyable for modern audiences. But there were other ways of making it more accessible; just focusing on how complex the relationship between Ned and Margaret is would have made their stage scenes together more deep and powerful than what Ned had previously been producing.

By turning it into a "revolutionary" new thesis of stagecraft, it loses almost all of its historical credibility in my eyes. As an exploration of gender and sexuality issues though, it's pretty interesting.