[ SECRET POST #2101 ]

[case]

⌈ Secret Post #2101 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 02 pages, 040 secrets from Secret Submission Post #300.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 1 2 - not!fandom ], [ 1 - too big ], [ 0 - repeat ], [ 1 2 - take it to comments ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[stainless]

I liked the story, too. Really loved how sparse it was.

I'm now feeling like I'm either a genius or crazy.

[(Anonymous)]

No you're just reading the movie correctly and more intelligent than the people with whom you're talking about it here. Anyone who compares Annie Proulux with Smeyer is a moron.

[stainless]

Thank you. I was feeling like I was in Bizarro World. "Doesn't deserve the Pulitzer" is one thing. Comparisons to SMeyer? That just seems like anon has an enormous axe to grind.

[(Anonymous)]

I agree with everything you've said.

[stainless]

I thought the story was pretty impressive, personally. Generally I find stuff published in The New Yorker to be unbearably pretentious tripe. Brokeback seemed like an attempt to capture a little bit of the soul of a region and community and its outsiders, and I liked that about it.

I could see how the dialect could be annoying, but that's a stylistic choice, not a sign of a hack. And maybe I never paid enough attention to Twilight but I didn't get the feeling SMeyer was trying to capture the soul of a region the way Proulx was, so they really don't seem comparable at all even if Proulx is a bad writer. (Which maybe she is; I liked Brokeback but it may be unusually good. Or her other stories may be so stylistically indistinguishable from it that once you've read one, you've read them all.)

[(Anonymous)]

Protip: You might be taken more seriously if you bothered to spell her first name right.