[ SECRET POST #2197 ]

[case]

⌈ Secret Post #2197 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 02 pages, 048 secrets from Secret Submission Post #314.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[ex_valour601]

Haha, no worries on the modern question. I actually knew exactly why you were asking since it differs between the practices as is and has apparently been under a lot of change in the last decade or so, according to what our professor said. I DID take a Brit Lit class for current stuff that was labeled 'contemporary,' and overall I much preferred that, although the sheer amount of oddness my professor subjected us to! I think a lot of the undergrads wanted to give up after The Passion of New Eve.

As for the recs, you're very welcome (AND OH BOY, DO I FEEL YOU ON GAIMAN)! It's how I feel about Lawrence since I first read his short stories and really liked those, and then read Women in Love and wondered what changed (same for Joyce!). I think I'm being a little hard on Forster since I did finish Passage and also chose it for the dreaded group project, but I think I will have to read something else of Woolf's if I like her (I'm also in your boat--I mostly took this class to catch up on stuff I had yet to read, since my undergrad lit classes were largely focused on one author).

Well of Loneliness is QUITE infamous in some circles, from what we read in class, so I hope it gives you a good read, even if I don't know how you'll react, nonny. It was a very nice foil by comparison to some of the other stuff. I even did my final paper on it.