[ SECRET POST #2200 ]

[case]

⌈ Secret Post #2200 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


__________________________________________________



02.


__________________________________________________



03.


__________________________________________________



04.


__________________________________________________



05.
[Vanessa Ferlito]


__________________________________________________



06.
[Iron Man]


__________________________________________________



07.
[The Tudors]


__________________________________________________



08.
[Kuroko no Basuke]


__________________________________________________



09.
[The Iron Giant]


__________________________________________________



10.
[Ace Attorney]


__________________________________________________



11.


__________________________________________________



12.
[American Horror Story Asylum]


__________________________________________________










Notes:

Going to pull a few secrets from the first page of next week's post to fill tomorrow's.

Secrets Left to Post: 01 pages, 009 secrets from Secret Submission Post #314.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 1 - repeat ], [ 1 - posted twice ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

Re: SPOILERS

[(Anonymous)]

Um, Schultz was not a racist...was he condescending? Yes, but it was in general. Not to mention the fact that he admired Django for being a real life Siegfreid.

Re: SPOILERS

[thene]

Exactly - he would up respecting Django by means of...saying he was the 'real life' version of a white hero. Early in the movie, Schultz admitted he was making use of slavery, and was regularly calling Django 'boy' - he seemed to be belittling Django a lot before he started seeing Django & Brunhilde as white German people. And Schultz decided to be a prideful dick and shoot Candie when it would have been much, much more beneficial to Django if he'd walked away. Obviously that relationship completely fits with the era, and one thing I thought Foxx and Waltz were trying to get across there was how unequal the relationship between Django and Schultz inherently was, even after Django was freed.