Case (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
case) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
fandomsecrets2013-03-24 03:34 pm
case) wrote in fandomsecrets2013-03-24 03:34 pm
[ SECRET POST #2273 ]
⌈ Secret Post #2273 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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Notes:
Secrets Left to Post: 05 pages, 117 secrets from Secret Submission Post #325.
Secrets Not Posted: [ 0 - broken links ], [ 1 2 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ], [ 1 - posted twice ], [ 1 2 3 - trolls ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
no subject
What did I find different? Glinda was like a robot in OtGaP who went on and on about how she was a former princess. In WoO, Glinda is snarky and full of personality. Theodora, if we'll call her that, is only who she is because of what her sister did to her and seems hell bent on destroying the Wizard. In WoO she doesn't give a damn about the Wizard (and for that matter, neither does Glinda save to send Dorothy to him), mourns her sister's death and only wants the damn shoes back. The only one who fits who he's supposed to be is the Wizard himself; he's still a bumbling moron using the same tricks to fool the people of Oz into thinking he's someone he's not.
no subject
1)Why would you need to incorporate Dorothy in a prequel that ends before Dorothy gets there? Dorothy being or not being there doesn't make it less of a prequel. It certainly doesn't make it less of a straight one.
2)I said Wicked was a subversive adaptation. I never said it was an adaptation of the books. It's an adaptation of the movie, with book elements thrown in. A subversive one.
3)All that just makes it a bad straight adaptation. Again, it doesn't make it less of a straight one. The characters are in the position they are in when the movie starts, and the OtGaP explains, perfectly straight, how they got there. Personality traits may inform the straightness or subversiveness, but they are by no means dispositive. There is no commentary about the social assumptions of the audience and no intent to screw with any of those assumptions. It's a straight adaptation.
Just like WoO is a straight adaptation of the novels, despite the many various changes they made to plot and character.
4)Glinda is not full of personality in the movie, stop.
no subject
Well, strictly speaking the musical is an adaptation of the book, only it's not The Wonderful Wizard of Oz, but Gregory Maguire's Wicked: The Life and Times of the Wicked Witch of the West ... Which is, of course, a subversive adaptation of the Wizard of Oz movie, and I'll stop my nitpicking now.
Sorry if you already knew this; I certainly didn't until after I saw the musical, and it wouldn't surprise me if many people don't.no subject