[ SECRET POST #2333 ]

[case]

⌈ Secret Post #2333 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 01 pages, 019 secrets from Secret Submission Post #333.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 1 2 - too big ], [ 0 - repeat ], [ 1 2 - ships it ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[shukivengeance]

The flaws with his writing - inability to write characters rather than plot-devices-on-legs, his treatment of women, how the climax is never worth the build up, and the general flailing about in a desperate attempt to have plot twists that make him look like a clever writer - were less noticeable when someone else had ultimate creative control.

He's had some nice ideas, but likes to recycle them way too often.

edit: blargh this was meant to be in response to the first comment.

[fenm]

The thing he did that bugs me that not a lot of people mention (and which he doesn't have to do any more now that he runs the show) was sidelining regular characters so the main character can obsess over the new "hot, spunky" female character he's just created (or old character he's re-imagined for his own purposes).

[fauxkaren]

That is super annoying. I am also really annoyed by how much Moffat relies on time loops as solutions to plots.

[fenm]

Amen. Just because a show HAS time travel doesn't mean you need to use it all the f'ing time!