[ SECRET POST #2419 ]

[case]

⌈ Secret Post #2419 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Way early because taking dog to the vet. :c

Secrets Left to Post: 03 pages, 075 secrets from Secret Submission Post #346.
Secrets Not Posted: [ 0 - broken links ], [ 1 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

American Gods, on the other hand, bothered me because the sex worker and the homosexual character (one of each) existed only long enough to be introduced, have sex, and then get killed, having contributed nothing to the story whatsoever. And the death of the sex worker (a goddess whose name I cannot remember) read as overly detailed and gratuitous to me.

That's how I felt about the way those characters were written.

Reading Neverwhere and Stardust right after each other bothered me a little because in both novels women who are presented as "adults" are rejected in favour of ones who are presented as waif-like girls.

[(Anonymous)]

Oh god, this. I never finished Neverwhere because it was just awful. I read spoilers, and eh, it always creeped me out that Richard went with the teenage-like girl instead of his adult fiancée.

[(Anonymous)]

It's been a while since I read Neverwhere, but I didn't get the impression that he went with Door specifically (or especially as a romantic interest), so much as he went with London Below as the place he would rather be part of. I don't actually recall a romance between them, though I haven't read the book for some time.

[(Anonymous)]

I kind of recall it being at least implied? But it's also been a really long time since I've read it, so who knows. And I do agree that London Below was definitely a bigger part of it than Door.