[ SECRET POST #2436 ]

[case]

⌈ Secret Post #2436 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.
[The Book Thief, The Days of the Deer, Neil Gaiman's Sandman]


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02.
[Macklemore & Ryan Lewis]


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03.
[The Glades]


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04.
[Revenge]


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05.
[The Killing (AMC)]


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06.
[Star Trek]


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07.
[TRON: Uprising]


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08.
[Paul McCartney]


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09.
[Les Miserables]


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10.
[Mud by Yamashita Tomoko]


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11.
[The Beatles]


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Notes:

Secrets Left to Post: 02 pages, 036 secrets from Secret Submission Post #348.
Secrets Not Posted: [ 0 - broken links ], [ 1 2 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[abharding]

Exactly. It's part of his job to put as positive a spin on the film. If he disses he might not only not get asked back for the next film, but other directors /producers might not want to bring him on for their projects.

And I say this as someone who really, really, really did NOT like the film.

[(Anonymous)]

Is it that hard to understand that some people actually think the movies was good?

[nyxelestia]

I am really started to wonder where this idea that actors/singers/performers/etc have significant amount of control over their content or make their content in a vacuum comes from. It's been boggling my mind since everyone started acting like the VMAs were Miley Cyrus' idea - like, yeah, she might have some measure of control, but the control at this stage is pretty much "do it or don't", and even that's contractually debatable. When it comes to any entertainers - especially the high profile ones - do people forget they all ultimately have to bow down to an incredibly high pressure from the industry at large? And yeah, things like self-respect and all that sound nice, but those gains don't always match up against (multi-)million dollar profits.