[ SECRET POST #2526 ]

[case]

⌈ Secret Post #2526 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


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02.
[Doctor Who]


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03.
[Disney]


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04.
[TMNT]


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05.
[Thor: The Dark World]


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06.
[As Told By Ginger]


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07.
[daughter, purity ring]


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08.
[Sleepy Hollow]


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09.
[Attack on Titan/Shingeki No Kyojin]


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10.
[The Producers]











Notes:

Secrets Left to Post: 03 pages, 053 secrets from Secret Submission Post #361.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

DA

"as good as Sherlock"? You must be joking. A Study in Pink was the best that show is ever going to be, and why? Because Moffat (and Gatiss) crafted the modern story around an existing, established, fully-fleshed out PLOT. (Which is the one thing Moffat cannot write well, neither for love nor money.) The further they got from ACD's well-crafted plots, the harder Sherlock sucked. Now it's been reduced to a very bad pastiche of an already-bad pastiche, and ACD/Canon reliance has been diminished to outright reversals/thumbing of the nose, or, at best, references to the story titles.

[(Anonymous)]

This. A Study in Pink was great, but the show went downhill from there. Plus, they still managed to somehow build a plothole into the pre-built story (seriously, Sherlock is supposed to be good at this, so why does it take him so long to figure out the murderer's a cabbie?)

[(Anonymous)]

This. I figured out that the murderer must be a cabbie as soon as they revealed that all three victims 1) didn't own cars, and 2) were found in parts of London they didn't normally go to. Some genius!