Case (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
case) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
fandomsecrets2014-02-15 03:32 pm
case) wrote in fandomsecrets2014-02-15 03:32 pm
[ SECRET POST #2601 ]
⌈ Secret Post #2601 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
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Notes:
Secrets Left to Post: 04 pages, 098 secrets from Secret Submission Post #372.
Secrets Not Posted: [ 0 - broken links ], [ 1 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
Re: Random observation
For example, some of the songs from The Scarlet Pimpernel remind me a lot of the songs from The Hunchback of Notre Dame; I mean, listen to Madame Guillotine at ~0:27; doesn't it sound kind of like The Bells of Notre Dame?
And then there's the way that some of the songs from The Book of Mormon sound like songs from other musicals- though in this case, I think it was intentional? Like, You and Me (But Mostly Me) has some background chords (at around 0:30) that sound like Defying Gravity from Wicked, and I'm pretty sure that that's intentional, references how Defying Gravity is a power anthem of self-sufficiency. And it happens again in parts All-American Prophet, with patter that reminds me of Ya Got Trouble in The Music Man, and considering how Ya Got Trouble is all about a con man trying to bilk a city, I'm pretty sure it was intentional on the part of the creators of TBoM.
I just thought that it was kind of cool. :D