[ SECRET POST #2611 ]

[case]

⌈ Secret Post #2611 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


__________________________________________________



02.


__________________________________________________



03.


__________________________________________________



04.


__________________________________________________



05.


__________________________________________________



06.


__________________________________________________



07.


__________________________________________________



08.


__________________________________________________



09.


__________________________________________________



10.


__________________________________________________



11.


__________________________________________________



12.


__________________________________________________



13.


__________________________________________________



14.

















Notes:

Secrets Left to Post: 02 pages, 045 secrets from Secret Submission Post #372.
Secrets Not Posted: [ 1 - broken links ], [ 0 - not!secrets ], [ 1 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

Amen to that. A fun way to break that habit is to do time periods. That also stops teenagers from playing almost entirely, which tends to raise the level of play.

For example, let's say you've finally gotten approval to make (if we must) Good Omens, but due to a surprisingly complex union contract, you have to make it in 1968.

Aziraphale: Peter O'Toole
Crowley: Michael Caine
Newt: David Hemmings
Anathema: Vanessa Redgrave
Adam: Kurt Russell

For advanced play, cast various different versions of the same stories, as filtered through the bad creative habits of different eras. For example, remember the godawful musical version of Good Omens from the 50s, the one with (respectively) Gene Kelly, Marlon Brando, Van Johnson, Cyd Charisse, and Dean Stockwell? That was just a bad idea.

Likewise, I assume everyone remembers the cast from the misbegotten mid-80s attempt to remake Good Omens as an action-comedy blockbuster, too? Mel Gibson's Crowley was a nightmare of hairspray and smarm, and the less said about Madonna's take on Anathema Device, the better.

[loracarol]

I'm kind of in love with this comment.

[(Anonymous)]

MARRY ME.

[(Anonymous)]

this is my favourite comment forever