Case (
case) wrote in
fandomsecrets2014-03-10 07:07 pm
[ SECRET POST #2624 ]
⌈ Secret Post #2624 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
01.

__________________________________________________
02.

[Outlander]
__________________________________________________
03.

[The Walking Dead]
__________________________________________________
04.

[How I Met Your Mother]
__________________________________________________
05.

[Twitch Plays Pokemon]
__________________________________________________
06.

[Batman, Kill La Kill, Borderlands]
__________________________________________________
07.

[Overlord]
__________________________________________________
08.

[Red Dwarf]
__________________________________________________
09.

[Paranatural]
__________________________________________________
10.

[Pitch Perfect]
__________________________________________________
11.

[Insidious: Chapter 2]
__________________________________________________
Notes:
Secrets Left to Post: 03 pages, 053 secrets from Secret Submission Post #375.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

no subject
(Anonymous) 2014-03-11 01:57 am (UTC)(link)The notion of "writing as dialogue" is sort of an odd one to me; I mean, you can engage with a text, but you can't generally engage with the author, unless you go on their blog or try to debate with them at a book signing or con. Even when you talk about "justifying your opinion" about the meaning of a text with "evidence," that evidence itself is drawn from the words the author "shouted" at you - so I'm not clear on why that "shouting" is a bad thing. Can you clarify?
That isn't to say that readers can't, shouldn't, or won't have their own interpretations and ideas about the text, but the author does (and I think, should) have a greater degree of power over the text and its meaning than any given reader, just by virtue of being able to control what exists within the text in the first place. Any "evidence" for alternate interpretations will have been put there by the author's own pen to begin with, will it not? I guess it seems like you're not just accepting the "death of the author," but actively trying to drown him in a bathtub, to extend the metaphor.