[ SECRET POST #2624 ]

[case]

⌈ Secret Post #2624 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


__________________________________________________



02.
[Outlander]


__________________________________________________



03.
[The Walking Dead]


__________________________________________________



04.
[How I Met Your Mother]


__________________________________________________



05.
[Twitch Plays Pokemon]


__________________________________________________



06.
[Batman, Kill La Kill, Borderlands]


__________________________________________________



07.
[Overlord]


__________________________________________________



08.
[Red Dwarf]


__________________________________________________



09.
[Paranatural]


__________________________________________________



10.
[Pitch Perfect]


__________________________________________________



11.
[Insidious: Chapter 2]


__________________________________________________
















Notes:

Secrets Left to Post: 03 pages, 053 secrets from Secret Submission Post #375.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

And I think that DoftA, while a valid method that seeks to keep the analysis pure, can also strive too intently to eliminate non-control variables to the point that it actually makes the analysis poorer for it. It drives us into tunnel vision style reading wherein we seek to interpret the text with only our own biases. A text has sociological and historical context, which authorial intent is certainly a part of, and we shouldn't disregard all that in our analysis. If the information is available, we should take it into account -- but that is not to say that we should take it as creed. While the text is the primary source, the secondary information can serve to enrich the analysis, not restrict it.

Furthermore, I don't agree that disregarding authorial intent is the only way to fairly compare literary works. Even when more information is available for certain works than others, control factors exist to make comparison possible without having to utterly eliminate context. Literary analysis is a business of assumption; we make claims, and then search for evidence to back them up. Using authorial intent works the same way, and no contradicting claim can supersede it unless it provides sufficient textual evidence to show otherwise. When an author's words aren't available, we still try to contextualize a text by studying its time period, the cultural milieu surrounding its birth, etc. -- why then do we decide not to do the same for the authors' words when they are available?

[waterfall8484]

I like you, anon. :~D Here, have a bound and printed Internet.

[cbrachyrhynchos]

The first problem is that you build the theory of the text from the text. You don't go cherrypicking the text to support your claims. Discussion of the text that does the latter and not the former is usually obvious to spot. Note that Death of the Author doesn't exclude context, but the relevance of that context needs to be weighed against the text itself. It's reasonable to say that Tolkien applied the same ideas to Lord of the Rings that he expressed in "Beowulf: The Monster and the Critics." It's less reasonable to say that because Tolkien was a WWI veteran that Lord of the Rings is about WWI.

The second problem is that secondary sources about a text are often biased. Take a look at the role of German nationalism in the creation of Mozart and Salieri or Schindler's romantic views of Beethoven ("fate knocking at the door") as examples. News media comes with its own set of biases. So does blogging. If we're going to use those sources to dissect the novel, we should be able to use the novel to discuss the accuracy and relevance of those sources.

Which we do when we're talking about why we accept Rowling's claims about Dumbledore (they're plausible given ambiguities in the text) but not Card's claims about early gay-positive novels (the character is tormented by his sexuality).

[(Anonymous)]

I agree with this post but my monomania requires me to point out that there is very good textual evidence for saying that there are strong connections between LotR and WWI; it's not just founded on the biographical fact that he was a veteran.