[ SECRET POST #2651 ]

[case]

⌈ Secret Post #2651 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 03 pages, 051 secrets from Secret Submission Post #379.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 1 2 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[shahrizai]

It's relevant because of different cultures. It works in Japan because it isn't as litigious of a society and doujinshi prices aren't designed to really make a profit, they're designed to offset the costs of printing and travel expenses for cons and such. Once doujinshi artists start making solid livings off it, things would change. Doujinshi can be a stepping stone to legit original works, just like pulling a 50 Shades can.

If Western fan artists were getting so high-profile they were paying their way through college off of slash fanart shit would get real and copyright holders would start paying attention.

[(Anonymous)]

And if a fanfic author wanted to sell their bound work for a pittance at a con? Maybe just enough to cover the cost of binding the book and possibly the fee for the booth?

Preeeeettty sure there would be riots.

[(Anonymous)]

Because apparently in your world there was never such a thing as fanzines...

[(Anonymous)]

*looks at the three collections of fanfic she bought at the last Otakon* Um....