[ SECRET POST #2686 ]

[case]

⌈ Secret Post #2686 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 03 pages, 059 secrets from Secret Submission Post #384.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ], [ 1 - posted twice ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

Re: You are full of shit on this one

[(Anonymous)]

It is also a loss if someone who would have bought your game were piracy not an option pirates it instead, and then decides hey, why should I pay for this thing when I have a perfectly servicable copy right here for free?

Which is, incidentally, a hell of a lot more common than people actually pirating something to try it out and then buying it when they decide they like it.

It may be ultimately a negligible loss for large companies, but the same can't really be said of smaller developers or solo artists, who frequently charge a great deal less and still get their work pirated, generally by people who then bleat "but exposure!" when called on their shit.

("Exposure", incidentally, is also a scam used by large companies to rope emerging artists into working for them either gratis or for criminally low wages in return for the promise that someone, somewhere, will see their work and shouldn't that be enough for any artist. So congratulations on having a point of view in line with manipulative, money-grubbing assholes, I guess.)

Re: You are full of shit on this one

[feotakahari]

If it's gonna turn into a numbers argument, I can't do that, because I don't have numbers. I have anecdotes, like the survival of Kudos despite being pirated to hell and back, or the success of Hotline Miami despite the dev openly helping pirates acquire it for free, but I can't factually prove what effect piracy has on the average game's sales.