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Case ([personal profile] case) wrote in [community profile] fandomsecrets2014-09-26 06:38 pm
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[ SECRET POST #2824 ]


⌈ Secret Post #2824 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


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02.
[John Oliver]


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03.


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04.


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05. [ns]


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06.


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07.


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08.


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09.


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10. [SPOILERS for Ghost Trick]



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11. [SPOILERS for Kick Ass 2]



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12. [SPOILERS for Haven]



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13. [SPOILERS for Spec Ops: The Line]



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14. [WARNING for rape]



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15. [WARNING for rape]



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16. [WARNING for rape]



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17. [WARNING for rape]



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18. [WARNING for self-harm]

[Kill la Kill]










Notes:

Secrets Left to Post: 00 pages, 000 secrets from Secret Submission Post #403.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
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OP

(Anonymous) 2014-09-26 11:13 pm (UTC)(link)
Just to note, I mean something different than the villain protagonist trope (which is a trope I quite like but not the same thing). With a villain protagonist, the audience is generally more aware of the fact that the protagonist is not a hero and the protagonist may never realize this on their own (think of Light Yagami from Death Note).

I just think there's something great in the idea of having the audience watch a group who they think is, essentially, the heroes and, over time, come to realize that they're anything but. And have the protagonists realize it themselves by the end.

Such as, for example, taking a setting similar to Star Wars and slowly revealing, over time, that the rebellion the audience has been rooting for is actually a band of terrorists. Or have us follow the "heroic" fascists and slowly reveal over time that they're working for a totalitarian state.
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