[ SECRET POST #2902 ]

[case]

⌈ Secret Post #2902 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


__________________________________________________



02.


__________________________________________________



03.


__________________________________________________



04.


__________________________________________________



05.


__________________________________________________



06.


__________________________________________________



07.


__________________________________________________



08.



__________________________________________________



09.











Notes:

Secrets Left to Post: 03 pages, 058 secrets from Secret Submission Post #415.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

There's a pro artist whose career I've followed for about 15 years and before she was able to make a living off of her art, she was working other (non-art-related) jobs and doing commissions/commercial contracts she didn't necessarilly feel passionate about. This did not stop her from creating art, including the art she wanted to create. Then there's my neighbor whose art basically has no commercial appeal (the way he put it, he's happy if he makes a couple thousand dollars a year) but his wife has a good job, so he's not exactly living in an old refridgerator box.

While I think fellowships and grants for artists are great, it's completely unrealistic to say that the only available options are 1) get paid a stipend by the government and let them censor what you do if they so chose and b) starve. Doing work you don't particularly want to do just to pay the bills while you try to get the work you do want to do to a point where you can live off of it is pretty common in a lot of fields, not just art.