case: (Default)
Case ([personal profile] case) wrote in [community profile] fandomsecrets2015-01-14 06:42 pm

[ SECRET POST #2933 ]


⌈ Secret Post #2933 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

01.


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02.
[Lovely Complex]


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03.
[Giada De Laurentiis/John Mayer]


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04.
[Dragon Age 2]


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05.
[John Finnemore's Souvenir Programme]


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06.
[Robert Smith of The Cure]


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07.
[WWE]


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08.
(Agents of Shield)


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09.
[Rookie Blue]


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10.
[Star Trek: The Next Generation]


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11.
[Dragon Age Inquisition]


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12.
[Sailor Moon]


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13.
[Stargate: Atlantis]


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14.
[Pern]












Notes:

Secrets Left to Post: 00 pages, 000 secrets from Secret Submission Post #419.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

(Anonymous) 2015-01-15 12:58 am (UTC)(link)
I like AJ, but I get where you're coming from. At the same time, how much input do the wrestlers have regarding their gimmicks? (A genuine question because I really have no idea. I hear things, but I don't know how true they are).

Idk how people can claim that she's the only one with potential, though...? Nikki has improved so much. I definitely think Naomi and Alicia Fox have talent, too. Also, there's Paige (my new love tbh). And I'm not sure what's going on with Nattie right now, but I've enjoyed seeing her in the ring [again] as well.

If there are arguments that AJ is the "only one with potential," I feel as though people should be asking themselves why. Maybe it's because the women barely get a 30-second match and have the least built-up storylines... if I sound bitter it's probably because I am, lol.

(Anonymous) 2015-01-15 02:31 am (UTC)(link)
I think they come up with their own gimmicks, mostly.

(Anonymous) 2015-01-15 06:35 am (UTC)(link)
I think they can pitch ideas, and nay and yay gimmicks thrown at them from the writers, but it's not like they have all the power. The talent has got screwed over by turning the ideas/story lines/gimmicks down, being insistent on how their character and gimmicks can be, and refusing to do what the writers want. But really it honestly all depends on how much favor you've got in the back office.