case: (Default)
Case ([personal profile] case) wrote in [community profile] fandomsecrets2016-11-12 03:38 pm

[ SECRET POST #3601 ]


⌈ Secret Post #3601 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 02 pages, 52 secrets from Secret Submission Post #515.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

(Anonymous) 2016-11-12 08:47 pm (UTC)(link)
I don't think it's JUST a Lin-Manuel Miranda thing. It's also, you know, both useful scene-setting for the historical circumstances, and something that's familiar to contemporary audiences - as you point out, Greatest City In The World-type boosterism is something that's pretty common these days. And it's also something that exists specifically in rap, so it's one of the strands that creates and sustains the rap music || immigration parallelism. It fits into the musical really organically.

It does suck that it's on the T-shirts, though.
sparrow_lately: (lmm)

[personal profile] sparrow_lately 2016-11-12 08:51 pm (UTC)(link)
It also serves story-telling purposes, since the action is set around NYC and the Battle of Brooklyn serves as the backdrop for a song and a half or so (time is sort of sped up and blended in the songs, as happens when a musical has to cover 30 years).