[ SECRET POST #4172 ]

[case]

⌈ Secret Post #4172 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 01 pages, 14 secrets from Secret Submission Post #597.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

I don't think Sarah Brightman sounds operatic at all, just vaguely thin and howling.

[(Anonymous)]

She doesn't. I also really don't enjoy her voice.

[(Anonymous)]

Same. Also, I once told some folks I thought Carlotta sounded better than her, and they looked at me like I was an alien.

[(Anonymous)]

Yes, well. Much like Tim Burton after him, Andrew Lloyd Webber never saw a story he couldn't shove his then-wife into.

[(Anonymous)]

I truly love Sarah Brightman but secretly believes she sounds like Miss Piggy. At least in Phantom.

[cakemage]

I actually really love Sarah Brightman, though I've never watched Phantom or listened to any of her songs from it. I like her operatic stuff, but I do kind of prefer her more pop-style songs and her covers of songs from other musicals. Mr. Monotony is one of my favorites.

[anarchicq]

Ooo what are your thoughts on REPO! The Genetic Opera?

[cakemage]

I actually haven't seen it, because I can't handle gore and from what I've read it gets pretty messy in that department. I did read a long, detailed summary of it, though, and I thought it was really cool that Sarah Brightman got to play such an interesting character with such an epic death scene. Her eye-gouging and suicide were beautifully spiteful ways of saying "fuck you."