[ SECRET POST #4789 ]

[case]

⌈ Secret Post #4789 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.

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Notes:

Secrets Left to Post: 03 pages, 54 secrets from Secret Submission Post #686.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[sabotabby]

It bothers me aesthetically. It's also, like, I remember watching this show as a little kid, and I didn't get all the messaging (I was in Canada, so I didn't understand, for example, that "The Happiness Patrol" was about Thatcher) but I got the broad strokes of "be decent to people, don't screw with the environment" themes that were quite often present in the episodes. And even modern children's TV does less of the "stop and explain for the audience" thing; I don't watch tons of it, but the few children's shows that I've seen in recent years have messaging without compromising the story pacing. Jodie does her best with those monologues, and she's a delight on screen doing anything, but they're so badly written.

I am digging this season though, because they've had parts where she has actually said the opposite of what's going on in her head and allowed the viewer to pick up the subtext. Like even a very young child would understand that if we see Gallifrey in flames, and then a few episodes later the Doctor says that everything's fine to her companions, it doesn't actually mean that everything is fine. I don't really remember anything like that happening last season and it really bothered me. But it's allowing the show and character to be interesting again as a narrative, and it's letting Jodie actually use her acting skills with decent material.