[ SECRET POST #6456 ]

[case]

⌈ Secret Post #6456 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.


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Notes:

Secrets Left to Post: 02 pages, 40 secrets from Secret Submission Post #923.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

Comments

[(Anonymous)]

I'm not going to argue with whether it was well choreographed or not because I literally don't give a fuck. It was well choreographed enough that the choreography was exciting and engaging in the moment. That is literally all I require from choreography. What makes a fight scene good or not good to me is whether I'm emotionally invested in it, whether it serves an interesting and engaging function in the plot, and whether it furthers (or shakes up) our understanding of the characters. It does all of those things, and the choreo didn't take me out of it, so it's a Grade A fight scene in my books.

Arguing "but the choreo was bad" about a fight scene is like arguing "but the science was bad" about a sci-fi thriller. Was it so obviously, glaringly bad that I could not avoid thinking about how bad it was on the first watch? If not, then IDGAF. I am not remotely pedantic or nitpicky enough to be taken out of the excitement of TLJ's fight scene by blink-and-you-miss it issues with the choreo.